Countertenor Anthony Roth Costanzo brings his complete worry about to ‘The Lord of Cries’
When you look at the 1999, for the work at-as much as the fresh new premier out-of John Corigliano’s “Dylan Thomas Trilogy,” brand new checked kid soprano knowledgeable an unfortunate psychological feel: their voice got changed. Very 16-year-old countertenor Anthony Roth Costanzo was titled into complete the brand new part. Costanzo was already a fan, already familiar with new composer’s score to possess “This new Reddish Violin” and his awesome opera, “The newest Spirits from Versailles.” However now they certainly were conference in person, for the first time, just before a traveling top-quality who just take him or her therefore the National Symphony Orchestra so you can Kennedy Cardio and you may Carnegie Hall.
The fresh new Washington Post described Costanzo “since eloquent and you may songs” however, indexed the “sounds is most likely best suited in order to a children’s voice.” They certainly did not number – Costanzo is a good lauded countertenor, that is successful from the one sensible metric. Of late, they are enthused audiences on identity character regarding Philip Glass’ “Akhnaten,” buoyed the latest spirits of the latest Yorkers inside COVID-19 pandemic shutdowns on Ny Philharmonic’s Train pop music-up programs, and you can worked into the epic Justin Vivian Thread on cabaret-opera-amazing “Merely a keen Octave Apart.”